Don't forget! Interesting stuff happening on a specific date on the calendar below this is just filler text to get the idea across.
All tagged History
On August 9, 2014, one day after the shooting of 18-year-old Michael Brown by white police officer Darren Wilson, civil unrest ignited in Ferguson, Missouri. Many of the photographs published during the riots imagine Ferguson as a city on the verge of apocalypse, showing cars and civic buildings on fire as black bodies run through the streets crying and chanting that their lives matter.
Since the European Middle Ages, religious dress and ornamentation have gone hand-in-hand with the lush fabrics and craftsmanship now associated with haute couture.
A hand-scrawled note reads: “Now that Fashion’s Gone to Hell And Dress has become neuter." The phrase floats alone in the center of a small note page—the type of thing one might expect to find today, coffee-stained and abandoned amid a mess of stir sticks and sugar crystals on a vacant table at Starbucks, except this particular note dates to a very pre-Frappuccino® era, written sometime around 1969 by the resident of apartment #429 of the famed bastion of New York bohemian culture, the Hotel Chelsea. It was written by the one-and-only Elizabeth Hawes.
In the late nineteenth century, there was steady coverage in The New York Times about the act of dress smuggling. This act, often referred to as "fashionable smuggling,” involved the practice of smuggling European-made gowns and dress goods into the U.S. Whether a quick report or an in-depth exposé, the focus of each story is smuggling's relationship with the women involved, and of the women who were reported to have smuggled.
With the word “cool” completely drained of meaning — used today in an excessive, inflationary way — it seems extraordinary that coolness can still be linked with specific garments and characteristics. Indeed, no other garment has been so continually associated for so long with coolness as the black leather jacket. At once, it is part of the fashion industry’s mass-market repertoire yet, barely having changed form over the last century, it stands as a classic symbol of affectlessness, individuality, and non-conformism.
